event

Kickstand Productions Presents!

BRONCHO - Bad Behavior Tour w/ PEEL

Events

Nov 3 Sat
BRONCHO - Bad Behavior Tour w/ PEEL8:00 PM
2011 W. North Ave, Chicago, IL
All Ages
Tickets $15.00

BRONCHO

Stick your head out the window and sniff the air: there’s a blizzard of badness brewing, and it’s not blowing over anytime soon. Sure, the political leaders, bullies, and other villains of various venoms are dominating the headlines, but these days the list of troublemakers extends well beyond the usual suspects.

From their home base in the Heartland, Tulsa, Oklahoma’s BRONCHO have a unique vantage point from which to survey the sins. Churning out thoughtful, nuanced rock and roll with an art school spirit and a punk rock heart since 2010, the band’s fourth album, Bad Behavior, finds them leaning into their strengths for their strongest effort yet. Following the catchy, playful vibe of previous albums Can’t Get Past the Lips (2011) and Just Enough Hip to Be Woman (2014), as well as the deliberate sonic intent of 2016’s sludgy, moodier art piece Double Vanity, the new record reveals BRONCHO’s fly-on-the-crumbling-wall vision of our moral climate, complete with a reenergized, accessible sound and the charmingly sardonic, smiling-while-sneering delivery of singer and bandleader Ryan Lindsey.

“It’s a reflection of the current world: everybody’s been acting badly over the last few years so we made a record about it,” Lindsey says. “There are multiple ways of portraying something as ‘bad,’ and there are moments of selfreflection throughout the record as though we could be talking about ourselves—but not necessarily. It’s observational, like we’re looking through muddy binoculars from a distance. It’s a blurry mirror image of the times from where we sit.”

Lindsey (vocals/guitar) and the band—Nathan Price (drums), Ben King (guitar), and Penny Pitchlynn (bass)—are a tight unit who have seen their songs featured at influential TV and radio and have toured the U.S. and Europe, including arenas with the likes of Queens of the Stone Age, The Growlers, Portugal.The Man, and Cage The Elephant. In the gritty warehouse district of Downtown Tulsa they have carved out a physical place for themselves, an industrial blank space where BRONCHO can experiment with sounds, performance, visuals, and more. It’s where they recorded Bad Behavior with producer Chad Copelin in the first half of 2018, a controlled process that allowed them to work at their own pace and by their own standards, almost like a secret club.

Bad Behavior slinks and purrs with a sense of lascivious flirtation. Lindsey sings with a mischievous twinkle in his voice, peppering his verses with suggestive uh-ohs and ahhs and at times barely pushing out his words to the point of whispering. Lines like “You caught me in the weekend/You caught me with your boyfriend” (“Weekend”) and “I got a thing for your mother/I got a thing to teach your father” (“Family Values”) match the primal pulse of the songs’ moods and vibes, and their pop sensibilities create a world where T. Rex, Tom Petty, The Cars, and The Strokes collide. “Keep It in Line” chimes along to a driving, pepped-up beat and serves as both the album’s catchiest moment and its closest swerve toward ethical commentary, as Lindsey’s narrator demands to be reminded of his place in the world while attempting to submit to his misgivings. The result is less an act of penance and more of honest reproach, an ultimate judgment that is matched in its directness only by the following track, “Sandman,” an overt yearning for pleasure that Lindsey calls the band’s answer to The Chordettes classic “Mr. Sandman.”

The record is filled with references to religion, sin, drugs, vice, and scandal bubbling just under the surface. It’s a palette familiar to anyone who has ever turned on the evening news, which Lindsey admits was a huge influence on him. “Through the writing process I watched a lot of CNN, and man there’s a lot of bad behavior there,” he says. “Not to mention that there’s a company making money off of people watching their depiction of it all. From an entertainer’s standpoint I get what they’re doing, calling everything ‘breaking news’ and keeping people glued, but taking up that kind of space can’t be good for society. Although it’s pretty fun to watch.”

Can all this unsavory activity exist without taking sides? Lindsey holds tight to his role as a relayer and is comfortable with leaving it to the audience to cast their own lot. “We’re assuming that everybody is coming from a certain set of values, but ultimately that’s impossible,” he says. “There’s a lot of people who think a certain way about the world and aren’t as shocked by these things. Maybe we’re simply trying to start the conversation. The best news is just a report of what’s going on, without bias. This record is a non-biased, non-profit reporting on what’s going on in the world. Part of it’s an exploration in solving those problems, on a personal level and ultimately on a cultural level.”

Bad Behavior represents a picture of a band that have crushed their own commercial expectations and are doing what they want to do at their own pace. They’ve cleaned the slate and quietly made a return with urgent, bonafide pop songs. If you want to catch a whiff of Bad Behavior, simply stick your head out the window and breath

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PEEL

PEEL was started in 2016 by longtime friends Pete Mueller and Kyle Hickey, both of whom share guitar and vocal duties – Mueller on the poppy tones and Hickey on the more rocking end of the spectrum – and the lineup is rounded-out with Dave Stach (Dethbeds) on bass and Jake Anderson (Future Monarchs) on drums. The band released their debut album Marlboro Country in 2016, but it wasn’t until the recording sessions for the follow-up, the 2017-released Goes Bananas album, recording with Josh Shapera at Shirk Studios, when the band really honed the hooks and harmonies, claps and choruses, which helped forge their true sound.

The release of Goes Bananas, and the crazy coinciding release show at the Empty Bottle, helped launch PEEL into the local circuit, after which they began supporting more popular acts at larger venues. The shows have helped the band continue to cultivate their party-ready riffage and fuel new inspiration to create material, which the band is currently recording at Jamdek Recording Studio for a new EP, Never Not Dead.

The Never Not Dead EP is a continuation of the PEEL sound, but even more extreme in both directions, some tracks taking an even more poppy approach and the others adding more grit to the rock. The band will finish tracking, mixing, and mastering, and Never Not Dead will be self-released on cassette Friday, April 27th, followed by a raging record release show for the record on April 29th.

Fans of Cheap Trick, Dead Boys, MC5, Steppenwolf, New York Dolls, and Road House should put PEEL on their list and not miss out on Never Not Dead.

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